Asians in Hollywood: “The Farewell”
If you only had three months left to live, would you want to know? According to The Farewell, it’s common to spare a loved one from a terminal diagnosis in China – and it’s not illegal.
The film, “based on an actual lie” from director Lulu Wang’s life, centers on Billi (portrayed by Crazy Rich Asians star Awkwafina), an aspiring writer in her 20s from a middle-class family who emigrated from China to New York when she was just six. Falling behind on her rent and rejected for a Guggenheim Fellowship, Billi struggles to meet the frustrating expectations of her parents (played by Tzi Ma (馬泰) and Diana Lin (林晓杰)). And just when things couldn’t get worse, she learns her grandmother, Nai Nai (played by Shuzhen Zhao (赵淑珍)), in China has Stage 4 lung cancer and only a short while left to live.
Despite Billi’s objection, the family decides to follow Chinese tradition and keep Nai Nai in the dark about her terminal illness. Instead, they stage an elaborate family gathering – the wedding of Billi’s cousin, Hao Hao (portrayed by Chen Han) – to see Nai Nai the first time in years before she passes. Afraid Billi will spoil their ruse, her parents leave her behind in New York, but Billi defies their order and flies to Changchun by herself to join her relatives and see her beloved Nai Nai.
While in China, Billi has no choice but to go along with the deception, however, the deliberate dishonesty towards her grandmother causes her to feel guilty, and continuously question the morality of it all. The internal turmoil Billi faces represents the clashes between the Western culture and Chinese culture, a theme prevalent in the film.
At one point, Billi comments that keeping a medical diagnosis from the patient would be illegal in America. However, her uncle Haibin (played by Jiang Yongbo (姜永波)) contends that the family is bearing the emotional burden for Nai Nai by lying. It’s an eastern concept of collectivism that Nai Nai practiced when her husband was also diagnosed with a terminal illness. Haibin tells Billi that spilling the secret will only rid Billi of her own guilt, as she’s thinking from an individualist point of view – common in Western culture. Though both Billi and the audience gained a better understanding of the deception from this conversation, it’s still a dilemma that they toy with throughout the film.
But Billi’s visit to China is so much more than just about her Nai Nai and exploring cultural differences, it was one of personal growth. Awkwafina’s stunning portrayal of an immigrant revisiting her homeland, straddling two cultures reminds viewers that as beautiful as it is to have a “hyphenated” identity, finding a sense of belonging is difficult when you are seen as a foreigner in the places you call home. Everything Billi remembers about her homeland is demolished, and even her native tongue betrays her – she sticks out like a sore thumb with her poor Mandarin skills, similar to many Asian Americans in reality.
Though Awkafina trades in her comedic image for one that’s serious and solemn in The Farewell, her fish out of water performance coupled with her comic timing makes the movie a dramedy. With dark humor scattered throughout the heavy film, you’ll find yourself wiping away your tears to laugh at the lighthearted jokes and silly nuances. Seeing Nai Nai, a dying woman, argue for lobster to be served at the wedding to save face was a much-needed intermission from the heartbreaking moments. Unaware of her fate, the matriarch was busy concerning herself with wedding planning and even grew concerned about the awkwardness between her grandson and his soon-to-be-bride. She even wondered how the engaged couple acts behind closed doors when she’s not there advocating for some affection.
Playful, powerful and moving, The Farewell taps into a completely different realm compared to the much-appreciated growing wave of Asian American-focused rom coms. As I watched the tear-inducing scene of Billi and her parents bidding farewell to Nai Nai, I looked around the theater made up of a very diverse audience, clearly moved by the film. It was then and there that I realized The Farewell is not just a film for Asian Americans, but everyone, with its universally relatable theme of complicated family dynamics, identity, and death.